Presented at EUROCALL 2015, University of Padua, August 27th, 2015
When the university I was working at bought a set of small video cameras, I was intrigued. I started playing around with them in class, first I had the learners record and transcribe conversations, then I guided them to make skits and instructional videos. You can see some of the projects I have worked on previously here.
Over the last few years since I first began using student video, there have been two major developments. The first is the ubiquity of smartphone technology. We have now reached the point (in my context, at least) at which almost every student has a video recording and editing suite in his or her pocket. The next development, obviously connected to the first, is the rise of online video. YouTube, Vine, Facebook, Instagram, LINE; this is what our students are watching. Instead of television? Perhaps.
I had these ideas in mind when I was presented with the opportunity to teach an advanced and an intermediate communication class at a local university. I had carte blanche, and I decided to make this a video project class. I set up a website to deliver the content, and chose a number of different video genres (some traditional, some more modern) to analyse and replicate with the learners.
I decided from the start to allow the students a lot of freedom in how they produced the videos. I suggested different methods, but gave very little technical instruction unless asked. My goal was to allow them to use the tools with which they were most comfortable, to take responsibility for their own learning, and to support each other. I wanted very much to avoid ‘technological determinism’ – the tools were secondary to the learners and their products.
To begin, it was necessary to find out what they had, what they could already do, and what they thought.
Fortunately, every single student had a smartphone.
Recording is always easy. The main challenges in student produced video are editing and sharing the completed file. Unfortunately, my favoured tools were unfamiliar.
The students were mixed in their willingness to share online. Some were quite keen.
Others were more conservative, and actually quite naive.
There were also some differences in their familiarity with editing software.
But for pretty much everyone, the smartphone would be the tool of choice.
The learners’ first task was to create a self-introduction video and deliver it to me. This example took me a few minutes, using the apps Splice and Vimo on an iPhone 6.
An Introduction to Darren Elliott from darren elliott on Vimeo.
The students fared quite well, and were able to teach each other the techniques they had used to broaden the knowledge base of the whole class.
At this point, we started the project work. Please visit the individual pages at the website to see how each project developed.
YouTube Movie Review
For each of the projects, we analysed quintessential examples and tried to replicate them. For example, the YouTube movie review is delivered straight to camera with jump cuts and onscreen text and pictures. Soap operas tend to cut between the actors and dwell on reaction shots in close up. TED Talks begin with a personal story and lead in to the message.
What I found was that, although learners had technical trouble with hardware and software, they were generally very adept at replicating style accurately. For example, the background music may have been too loud, but the actual song fit perfectly with the style of video the learner was making.
To conclude the semester, the students interviewed one another (on video, of course) using this list of suggested questions.
I’d like to highlight a few common responses.
Firstly, the students almost all referred to technical skills when asked what they had learnt. Editing skills, adding audio commentary and subtitling, these were the things they took home from the course. Some of them had used their new skills in other classes, others in their personal lives.
The most popular project across both classes was the subtitling project. This was quite challenging technically, but it allowed the students to express their creativity and also to talk about issues which affected them directly. This also came out in the TED talks and the news reports – students tended to choose local issues and topics important to them as university students.
Finally, there was a shift in attitudes towards their smartphones. Most of the learners had initially seen their phones as communication tools. Actually, I believe that if they had assessed their use more carefully they may have found they were using their devices to consume, create and share media too. However, the general perception of the smartphone was that its main function was text messaging. By the end of the course, many of the students reported a broader view of their phones and of their own relationship with their devices.
If you attended my presentation in Padova, thank you! If you didn’t, thank you for reading. Either way, I’d be happy to hear your questions or comments below.
Goodwyn, A. (2003). English teaching and the moving image. Routledge.
Marshall, J., & Werndly, A. (2002). The language of television. Routledge.
Potter, J. (2012). Digital media and learner identity: The new curatorship. Palgrave Macmillan.